Dunes are the resultant of an interaction between the sand and the wind. But here in our context the dunes stand for the resultant form of interaction between the architecture and the pop-music. The way wind shapes the dunes, similarly here the music shapes the spaces according to its force and whim. The dune on the banks of south China Sea is very appropriate and befitting the picture of sea, winds, architecture and music. This curvilinear form of structure spreading on both sides of the horse-shoe shaped site with a pedestrian bridge connecting them, forms a distinct architecture for the area by creating the uniqueness needed for the pop and maritime culture. The site will become a harmonious amalgam of volumes, paths and open areas. The dunes act as an all season workable model accommodating at all times and all age groups with the spaces and functions provided. The site itself becomes a scenic landmark serving as the symbolic gateway to the city and port of Kaohsiung. Dunes symbolise the form as a representation of the waves, winds, and their influence on forms of architecture eventually the lives of people around it. The Form is a mould that blends both the sea and land together in a way very unique and interesting creating a mystic air for the pop music centre and maritime culture centre.
The approach to the design is formal since it has to make a statement of being a youthful and cheerful space for pop-music and informative as well for the maritime cultural importance held by the port of Kaohsiung. The dunes are a formal statement signifying the pop industry and the marine culture of Taiwan. Multi-layering of the form helps in accommodating recreational spaces and pedestrian walkways (with open exhibit markets) along the water (and the structure) and all the requirements in the site leaving nearly 40% for future expansion.